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物的褶皺——王家增個展
時間:2018/12/8——2019/1/7 地區:北京    來源:今日藝術網
主辦機構:白盒子藝術館
地點:北京市朝陽區酒仙橋798藝術區白盒子藝術館
   
 

【展覽海報】

白盒子藝術館很榮幸地宣布“物的褶皺——王家增個展”將于2018年12月8 日開幕,本次展覽由汪民安擔任學術主持。此次是白盒子藝術館與藝術家王家增的首次個展合作,將呈現王家增最新創作的十余件作品。

王家增的作品通常以北方工業城市廢墟為主題,灰暗沉郁的筆調,擅于運用工廠的工人形象、鐵盒子和廠房等元素作為象征性符號來揭示被棄物與剩余物的當代價值。王家增曾畫過很多被鐵皮包裹的人,它們置身在鐵的包圍中仿佛置身于一個個監獄中,沒有自己的面孔,只有一個個序列的數目記號,而此次展覽所呈現的新作與以往的創作形式有所不同,這批作品的另一種類型,是用鐵皮和鋼板制作的類似裝置的作品。藝術家王家增跳脫出以往連續涂抹方式來勾勒建筑與建筑承載的空間,將表達形式簡化,并采取了一種架上作品的形制,將作品掛于墻上。

藝術家通過各種途徑收集廢棄的鋁和鐵等金屬物質,將其形狀改變,通過錘擊、焊接、打磨,制造了一個個物的褶皺,燒制后布滿無規則的坎坷的折痕展示出一種凝重感。不同于版畫、油畫中繪制的被擠壓的圖形,這樣的“形若枯骸”的狀態使這份沉重感更加凝練。王家增認為像鐵這樣的金屬物質是工業主義最簡單明了的基礎和指代,是對工業主義吞噬人的諷喻,它們被當作符號是王家增對工業和當代世界一種諷刺性解讀。金屬物質具有殊相和共相的哲學關系,而人操縱金屬也被金屬操縱,人傷害金屬的同時也被其所傷害,人和金屬之間相互扭曲,相互糾纏的關系則象征著工業時代的鐵律。

王家增的新作不僅僅是闡述歷史,簡單的展示過去,他想利用褶皺物與觀者之間構建成一種隱喻關系,使每個面臨這種褶皺物的人,都能感受到赤裸裸的強力的無所不在,仿佛這些強力就是加諸于觀者自身的。王家增賦予了這批作品“強力不僅落在身體上,也會通過落在物上而對人形成震懾”的具有哲學性的意義,將人們帶入到了對物與權力的思考之中。

白盒子的展廳就如人們生活的密閉空間,藝術家將作品懸掛在墻上,或者將它們捆綁在鋼板上,或者以盒子的形式對它們囚禁,并對它們對監獄中的囚徒進行編號一樣進行編號,作品棲身于有限的空間內構筑成一座擬人式的“復仇”景象。

It is with great honor that the Whitebox Art Center hereby announces the openning of Wrinkles of Object – Solo Exhibition of Wang Jiazeng on December 8th 2018. The exhibition will be chaired academically by Wang Minan. It will be the debut cooperation between the Whitebox Art Center and Wang Jiazeng, the master artist, and over 10 of his masterpieces will be displayed in the gallery.

Wang Jiazeng’s works usually would theme on the industrial ruins in North China. He is skillful in representation of workers’ images, and elements like iron boxes and workshops are used as symbols to reveal the contemporary value of industrial abandons and wastes. Wang Jiazeng painted numerous human figures being wrapped up by iron sheets, who are surrounded by the metal in the likes of people being jailed. These individuals are not facially visible and are marked by codes. The upcoming exhibition will present his new works that will differ from the past patterns. What is new about the new exhibits is that they are presented like devices made of iron boards and steel plates. The artist shakes off from his conventional way of repeated layers of paints to outline the architectures and the space they carry, and he adopts simplified forms of art that will be hung on the walls.

The artists collected various abandoned metal materials, - aluminum and iron – and shaped them into wrinkled objects by continuous hammer-strikes, welding, grinding, a sense of dignity and gravity is therefore presented after the surface of the metals being made full of wrinkles and folds in a irregular way. Different from printmaking, oil-paintings present squeezed patterns and such haggard appearance adds to the sense of gravity. To Wang Jiazeng, iron, as a metal, is the very basis of industrialism, and it enslaves human in the industrial age. Iron is interpreted by Wang Jiazeng, ironically, as the symbol of industry and modern world. The metals have philosophic implication in them – humans are manipulating and manipulated by metal; humans harms and are harmed by metal. That the relation between humans and metals are mutual-twisting and tangled together is the law of the industrial age.

Wang Jiazeng’s new works goes beyond the narration of history. By establishing a metaphoric relation between the wrinkles and the audience, he tries to present an omnipresent heaviness on the viewers, in a seeming way that the viewer are personally under the pressure of such weight. Wang Jiazeng endows the works the meaning that the weight can not only be felt by human, but humans will be shocked by observing the weight falling on objects. Thus the audience will be brought into the reflection on the relation between rights and objects.

The Whitebox’s showrooms serve as enclosed space, on their walls hung the works of the artist. The exhibits are either tied up with steel boards or encased in metal boxes and they are coded as prisoners. In a limited space the works constitute an image of ‘Revenge”.

王家增簡歷
1963年  出生于遼寧省沈陽市
1992年 畢業于魯迅美術學院版畫系
1993年  中央美術學院油畫技法研修班
1992至2011年 任教于魯迅美術學院  教授 
現任教于中國人民大學藝術學院  教授  繪畫系主任 中國美術家協會會員

個展:
2018年4月《無名之地》          筑中美術館/北京
2017年6月《無名之地》                      上海半島美術館/上海
2016年4月《城跡》                               中國產業金融博物館/沈陽
2015年4月 《王家增作品展》                  悅美術館/北京
2015年2月  《城跡》王家增作品展                 中國金融博物館/北京 
2014年8月 《工業印痕》                                高士畫廊/臺北
2014年4月《工業日記——王家增油畫展》 濟南美術館/濟南
2012年11月  王家增作品展                         愛慕美術館/北京
2012年3月 《喧囂中的靜默》王家增作品展            悅美術館/北京
2011年9月  王家增紙本作品展                         韻畫廊/北京
2011年3月 《原色》王家增油畫展                   今日美術館/北京
2010年5月王家增版畫作品展上海敦煌藝術中心/上海
2009年3月  《存在》王家增油畫展                 今日美術館/北京
2009年3月  王家增紙上作品展                          XYZ畫廊/北京
2008年8月  《向生活致敬》 王家增油畫展         800號美術館/上海
2008年7月  王家增版畫展                              XYZ畫廊/北京
2008年7月 《難以釋懷的空間》王家增油畫展      威諾里薩畫廊/北京
2008年3月 《 盒子中的人》王家增油畫作品展           高地畫廊/北京
2002年3月     王家增作品展海上山藝展中心/上海

獲獎:
中國魯迅版畫獎
中國第十四屆版畫展銅獎
中國第十五屆版畫展銅獎
中國第七屆三版展銀獎
中國第八屆三版展銀獎
中國第十七屆版畫展銀獎

中國第十六屆版畫展優秀獎
中國高等院校版畫年會展學院獎
中國第十九屆版畫展優秀獎

公共收藏:
 
60余件作品被英國大英博物館、劍橋大學阿什莫林博物館、杜塞爾多夫博物館、中國美術館、上海美術館、廣東美術館、中央美術學院美術館、中國版畫博物館北京今日美術館、浙江美術館、關山月美術館及安徽、四川、貴州、青島、遼寧、黑龍江等美術館、虛苑美術館收藏,

出版:《今日中國藝術家——王家增》,《王家增作品集》、《王家增銅版畫集》、《空間的重構》等

Resume of Wang Jiazeng
Born in the city of Shenyang in 1963
1992 graduated from the Department of Printmaking Luxun Academy of Fine Arts.
1993 Postgraduate Program sponsored by Central Academy of Fine Arts in oilpainting techniques
1992 – 2012 professor of Luxun Academy of Fine Arts, currently professor of Department of Paintings, School of Art Renmin University of China.

Solo Exhibitions
2018 “Spectres of Yesteryear”, an exhibition at Zhuzhong Art Museum Beijing
June 2017 “ Anonymous Land” , an exhibition at Peninsula Art Gallery Shanghai
May 2017 “Wang Jiazeng’s Paintings on Paper, an exhibition, Beijing
April 2016 “Trace of A City” , an exhibition at China Enterprise Finance Museum, Shenyang
August 2014 “Industrial Prints”, an exhibition at Taipei
April 2014 “Industrial Diary – Wang Jiazeng’s Oil painting”, an exhibition at Jinan Art Museum, Jinan
November 2012 “Wang Jiazeng’s Works”, an exhibition at Aimer  Art Museum, Beijing
March 2012 “Quietness amid Noise”, an exhibition at Joy Art Museum,Beijing
September 2011 “Wang Jiazeng’s Paintings on Paper”, an exhibition at Yun Gallery, Beijing
March 2011 “Primary Color”, an exhibition of oilpaintings at Today Art Museum, Beijing
May 2010 “Wang Jiazeng’sPrintmakings”, an exhibition at Dunhuang Gallery, Shanghai
March 2009 “Existence”, exhibition of Wang Jiazeng’s works, Joy Art Museum , Beijing
March 2009 “Wang Jiazeng’s Works on Paper”, an exhibition at XYZ ArtGallery, Beijing
August 2008 “Salute to Life”, Wang Jiazeng’s oilpaintings exhibition, 800 Art Gallery, Shanghai
July 2008 “Wang Jizzeng’sPrintmakings”, XYZ Gallery, Beijing
July 2008 “Hard to Relieve”, exhibition of oilpaintings, Beijing
August 2008 “People in Boxes”, oilpaintings exhibition, Highland Gallery, Beijing
March 2002 “Exhibition of Wang Jiazeng’s Works”, Art Center, Shanghai

Prize-winning Record
Luxun Printmaking Prize
Bronze of 14th National Printmaking Exhibition of China
Bronze of 15th National Printmaking Exhibition of China
Silver of 7th Printmaking Exhibition
Silver of 8th Printmaking Exhibition
Silver of 17th Printmaking Exhibition
Prize of Excellence of 16th National Printmaking Exhibition
Academy Award of Art Academies of China Exhibition
Prize of Excellence of 19thNational Printmaking Exhibition

Public Collections
Over 60 paintings have been collected by The British Museum,Ashmolean Museum,Dusseldorf Museum, China Art
Museum, Shanghai Art Museum, Guangdong Art Museum, CAFA Art Museum, China Print Art Museum, Beijing Today Art Museum, Zhejiang Art Museum Guan Shanyue Art Museum and museums
in Anhui, Sichuan, Guizhou, Qingdao, Liaoning, Heilongjiang,
Shenzhen
.
Publications
“Chinese Artist Today – Wang Jiazeng”,  “Collection of Wang Jiazeng’s
Works” ,“Wang Jiazeng’s Copper Plate”

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